29 Nov 2014

Break those bones whose sinews gave it motion.


Method actor Rourke in "Crazy Rich Guy".


The Hollywood grind can be a tough one. After my short stint as a stunt double for Mr Pitt and some more well-known film talent, I felt I needed a brake from the spotlight so I packed my bags and moved to the good old United Kingdom to pursue my art. I copped no small amount of flack for this, especially from my agent who thanks to my acting skill and race horse like physique was in a rather comfortable position. I understood his nervousness and as stunt doubles and raw acting talent like myself do not grow on trees, I have always done my best to put him in touch when ever I could.

Surprisingly, I am not the only A-lister who has chosen the visual arts as a come down from the bright lights of Hollywood. On Friday night, film legend and possibly the second sexiest man alive Mr Mickey Rourke burst into the performance art scene. I must admit to being a little apprehensive when he first contacted me for advice on his career change. I have a lot of respect for Rourke and his ability to maintain his punishing collagen routine, but his first artistic endeavour titled "You'll never beat the establishment" seemed too academic, too complex for a work straight out of the box. None the less, the piece staged in Moscow, featured a taught Rourke playing the hero "Western man" and Mr Elliot Seymour as "He who must be pillaged". The set dressed almost convincingly as a boxing ring staged an epic David and Goliath styled dance but at last, this time though, the true hero wins. It was a glorious piece of work and although completely sold, my only criticism would be as good as the choreography was, it was apparent the powerhouse Rourke was holding back but I'm sure a few more performances will iron out the kinks.



Art's new Adonis takes a break.


I had the opportunity to chat to Rourke after his stunning private viewing.

TWAD: Congratulations on your new piece. It seems obvious your careerer in performance art has been cemented. Where did you find inspirations for this new direction?

ROURKE: Yeah, thanks Baz. You're obviously a huge inspiration for me but I think my main influence for this particular work was Bono. His piece "I'm trying really hard to save the world but being environmentally sustainable is actually really really dangerous" really spoke to me. I don't think the working classes or sorta smaller countries like Africa, Iran and Afghanistan know how hard it is to be rich and famous. It's a lot of responsibility and stuff.


Artist Bono in his horrific bike accident make up.



TWAD: Any other artistic influences?

ROURKE: Um, oh yeah, Kim Jong.

YWAD: Kim Jong-Un? That's pretty left field. Tell me more about that?

ROURKE: Well, like she's just a normal chick right, but she just gets her arse out and like, BAM! Amazing stuff. 

TWAD: Arh, Kim Kardashian? So you like her work?

ROURKE: Um, what does she do? I mean, that photo's hot ya know. All big 'n' shiny 'n' stuff. We've got it in the gym.

TWAD: Quite. So, your piece seems to be saying, we are not going to go away. Is that the sort of direction you were coming from?

ROURKE: Yeah, we are rich and proud ya know. Like, there's a lot of protests at the moment, kinda getting down on people with money ya know. It's like they (the protesters) don't know how much we do for them. I mean, I buy coke from this dude right. He buys it from another guy and he buys it from someone else. That's my money feeding like three guys, plus I always tip the concierge at places. Like, I make a heap of cash right but I probably spend even more than I earn!

TWAD: Ah yes, reminiscent of the banker situation? Very deep Mickey.

ROURKE: Yeah, like the bankers, yeah. See that wasn't even their money ya know. So how come they get the blame for losing it? That's not cool. An' like Bono right. Like, he's doing that charity song right but he pays for the limo to get there an' stuff. Some of those things are so big it must take like four guys to drive 'em. Don't forget, money's green and white! You remember in Harley Davidson and the Marlboro man, wait, you wanna do a line or two before we go on?...

Honestly, this is powerful stuff. I suspect we'll be hearing about this piece for many years to come and I think it is safe to say Rouke and Bono for that matter will be entertaining us for many years yet. May the rich keep us all honest.







21 Nov 2014

I have to guard against order.



I have to guard against order. If it’s too chaotic, nothing comes out. If it’s too ordered, it becomes sterilised. You have to find the way between these two things. - Anselm Kiefer


I shall not pass this way again. - Etienne de Grellet



Thanks Speckles



The trees have shed their last and the grey sky has begun to weep. Winter is very slowly creeping across this ancient land. Our neighbour doesn't rise till lunch these days and although busying with nuts and seeds his days are short. Like him we've made preparations and there is a certain nostalgia in the air as again, a southern Christmas calls. My sinuses have even pre-emptively lubed in readiness for the dry winds and pollen of the beige Canterbury plains. They're good like that. I suspect this is sympathy hay fever for my future self. I wish I could do sympathy work or sympathy problem solving but the Gods would never settle for that. I blow my nose. Our house is in slight contrast to the plains. Beige, yes, with raw card but stacked high and jagged, calling great shining birds and leviathan hulks. These bizarre towers are blind to the coming celebrations, pub punctuated friends, in-jokes and family familiar. These boxes, they stand ready but they see further than I dare today. The pub will not be for granted, least the family time but as we prepare for festivities, we lie to ourselves of our "holiday". A bag and good shoes are for the holiday. This other collection of memories and work, gear and packaging is for something else. And the holiday belongs in part to it. We are moving once more and the boxes, birds and steel whales are hungry and will not wait any longer.

Four years is a long time when you are 10 years old. When you are 18 it is a life time but when you miss, it is a death. And we've missed so many in these last four years. Some have made it easy with well wishes and calls. Some have made it easy with none. But blessed, the great and mysterious Schiphol has ferreted us at times and just enough, to remember where we were and sometimes, why we came. And we did come and in ways conquered and in some lost. But it was just and righteous.  So what now. Who now will we miss. The southern homeland and this new old, equal. This another place. This promise more fulfilled than we could have hoped. More complex and complete than we dared to know. More warm than foreign wind should be and somewhere amongst life's other plans, home. This must be some kind of witchcraft. We never signed up for this. We've said good bye there and now we must do it here. When did this happen? How is my family here when they should be there? Why are they not there? I know well the differences and yet now they are me. I know what I miss and who and where and now they and it and the places are here. 

There is a small neighbourhood, quiet between the flats of University of Nottingham's students and the same city's drug dealers. It's surprisingly manicured. Just down the road from a long gone factory that produced British motorcycles and just off a street named after one of the West's great explorers known for his idea to sell some harmless tobacco. It was home. There was a humble Crocus nestled amongst binging students and concrete thugs. It was home and school, and a style of pub and refuge. It was my first link and I knew it then as well as I know it now. It was precious because of that and always will be. But like Raleigh's tobacco became fast far more than the sum of the parts. Sophie, Alice, Lester, Adam, the NTU girls, Charlotte, Jenna Kay. You are never far from my thoughts. Paul, thank you. You are a true gentleman. Kind Marie, if you were a stone from this day on, the grandest of wings would still wait for you. Alyn, I have no words. There are none. I honestly could never thank you enough. I hope that echoes for aeons like truth should.

Exeter started as a trading hub for Devon, the political kind. It was also one of the first places to offer treatment for sailors who became too close to that old sailor's friend. That was long ago now and the treatments are now catered for they say, under a new framework called austerity. I'm not sure how well that is working but caring is not short here. Leon, the first person I met in Exeter, in a toy shop. It was great. Micky, Ali, I couldn't have done it without you guys. Abi, the time has flown too fast and we share too little. Hayley, Nathan, everything you have built is everything you are. I have huge respect for you both and look forward to the rest of the story. My best wishes to you and your young family. Lisa and Yuchen. You offered company when I could not and you have my heart for that. See you in NZ. Natalia and Shaun. The pleasure has been mine. Thank you for welcoming me and offering us company. Thank you for sharing your journey with us. Neil, where do I start. I suspect I will get a chance to try but know I'll never cover it all. Katie and David. How am I even able to address you so very informally. I am honoured. Might I be learned one day. Might I be wise and caring and selfless. Might I build a home and family and have them proud of me and wish to see me. Might I open my home to strangers and have them sit and eat and be welcome and forget they are a stranger. Hear me gods. I will weather my hands and my face if we might strike a deal. Eva, you have been on my mind for too long. I have dear wishes for you. You like all these names will be forever in my thoughts. Sincerely, being there was everything at that time. You are a blessing. Leen and Zaid. This is the beginning for you again. I feel it too but you are good and good will find you. I hope you settle in well and soon. Mr Speirs, soon to be Doctor, soon to be Minister. My hope is that many have the chance to meet you and your work is never hindered. So many more names. The Notts punks I never got to jam with. The Exeter colleagues who offered so much support and understanding to Jo and who kept each other well and sane or tried to. The folks who have shared lunch and dinner and cider and beer. The guy who sells the big issue on the high street who never seems like he sells the big issue on the high street. Jo's family here who've offered support, comradeship, homes, beds and a place within their fine ranks. It has meant the world to me and more to Jo. And Jo. There is just not enough time or space. One from seven odd billion souls. From a glance to a smile. From a smile to a wink. From a wink to a poked tongue to a drink to a night to a life time and beyond.

On the 10 August 1901 Charlotte Anne Moberly and her friend  Eleanor Jourdain travelled in time. I suspect I will too, back to this 1960s tribute to utilitarianism. This house of Moberly and the house of King Edward. I'll laugh and shake my head. I will forget the trials and the cold and the Britney Spears tracks and I will feel old and distant from here but I will feel just as close to you all as I ever have. I hope at times you might remember me. I hope I have left something behind. I hope I have been human and I earned your time. I swear to do justice to the kindness you have shown me and pass it on to others you might never meet, but it will be my gift to them from you. I've never learned as much as I have being a stranger. I'm Barry and I'm a Foreigner.

I shall not pass this way again but I might just pop in for a bit. I hope so and hope to see you. I hope you might be glad to see me and that things are well.

b



“I shall pass this way but once; any good that I can do or any kindness I can show to any human being; let me do it now. Let me not defer nor neglect it, for I shall not pass this way again.” 

- Etienne de Grellet







20 Nov 2014

Back in 5




I would like to thank every body who has taken the time to stop by my Etsy and a very special thank you to those who have purchased from Order of the old bones. It's been a great year getting to feel out Etsy and an test the quality of my craft item against some of the most amazing crafters in the world. Although the 'handmade' definitions seem to have changed a bit over the lasst year I think Etsy has a great community and one I've very much enjoyed being a part of.

As you may know, I am off in a month to get married to the lady of my dreams and in a freakish turn of events, will also be moving. Internationally no less. This of-course means I'm going to be very busy but it also means, for now, OOTOB will be closing for a time. I hope to be back up and running late January early February 2015 in a new city, with new stock and a new direction I hope you all will enjoy.

Thanks again for your support and encouragement. I promise, next year will be HUGE!!!

b

 

18 Nov 2014

No borders.






It's always interesting seeing where my views come from. For some reason, views from the Ukraine have shot up in resent weeks so a very big hello to you all over there. It's been a while since I've posted but I have a few in the works. Thanks for stopping by. Sending you my best wishes.

b



7 Nov 2014

Beyond the eternally-formless state.





METACHAOS is a short film by Alessandro Bavari. It hit the net a while back and I've only just realised I didn't post it here. I'm good like that. You can check out more work from Alessandro Bavari here.